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Music that cannot be written using tradional notation elements is about 'breaking out of the prison of the staves' and so there is a conflict that programs like Sibelius can't handle because, to continue the prison analogy, they are the warders.ġ.6GHz Intel i7 Quad core, Win 7 Pro (圆4), 8GB, 7TB HDD, Scarlett 6i6, Sib 6.2, 7.1.3, 7.5 EWQLSO Plat, Miroslav Phil, NotePerformer, Harmony Asst, EWQLSC, GPO, COMB2 The more modern music that uses 'extremes' of notation can just about be managed with a little ingenuity, but you are still firmly tied to the prison bars of the staff. Programs like Sibelius are about 'maintaining the status quo' because they are designed to emphasise the use of traditional notation engraving. You are right about customer service at Avid. It is NOT what they were originally designed to cope with. I do have to say, though, that Finale is not much (if any) better than Sibelius at this kind of thing. Excel also seems a good idea - it has very powerful layout functions. Some use snippets taken from Sibelius and added in using the graphic program's import functions. However, I have friends who work in this field and they tend to use Illustrator or other graphics programs. Not really, I'm afraid, other than the suggestions made by other users here. > Thank you for taking the trouble to reply. Is there anything else you have in mind? I heard a lot about Finale. > Because I'm an idiot, Mike! I read all the reviews and spoke to composers I know and took their advice.
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